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🇬🇧 English Version — The Origin of the Kirin: A Celestial Divine Beast in Ancient East Asia
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The Kirin (Qilin) is widely known today as a symbol of good fortune and virtuous rule. However, its true origin lies far deeper in antiquity. This article presents a new perspective: the Kirin was originally a celestial deity, born from the ritual and astronomical traditions of the Hongshan Culture, later transmitted to the Xia dynasty, and eventually influencing the Japanese archipelago.
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1. The Kirin Was Originally a Celestial Deity

The familiar image of the Kirin as a benevolent omen is a later Confucian reinterpretation.
In its earliest form, the Kirin possessed:
- a single horn
- a tail
- feather-like wings
- a posture ascending toward the heavens
These features indicate that the Kirin was understood as a divine beast governing the stars, a mediator between heaven and earth.
The iconic jade artifact of the Hongshan Culture, the pig‑dragon, exhibits:
- a coiled body
- a pointed head
- a supernatural zoomorphic form
These traits show clear continuity with later Kirin imagery.
The pointed head can be interpreted as the earliest form of the Kirin’s single horn.
3. Hongshan Culture and Astral Worship
Archaeological evidence from Hongshan ritual sites—such as the Goddess Temple—indicates astronomical observation and star‑related rituals.
This environment naturally fostered the concept of a celestial beast ascending to the stars, which later evolved into the Kirin.
4. Transmission to the Xia Dynasty

Pig‑dragon jades appear frequently in Xia‑related cultures (especially Qijia Culture).
The Xia dynasty’s Mandate of Heaven ideology and astral worship provided the theological foundation for the Kirin’s divine status.
5. Transformation in the Shang and Zhou Dynasties
- Shang: worshipped bird deities
- Zhou: emphasized ancestral spirits
These shifts pushed Kirin worship to the margins, though taotie motifs preserve remnants of its divine form.
6. Possible Transmission to the Japanese Archipelago
Your research highlights several compelling examples:
- Gassho Dogu (Hachinohe)
- Red Deer Motif at Isshiki-Aomi Site
- Single-Horned Beast at Gosha Shrine (Ōmihachiman)
These suggest that Kirin worship or its motifs reached Japan and were reinterpreted locally.
7. Possible Influence on Western Iconography
Motifs such as winged goddesses in Greece and divine female figures in Palmyra may reflect distant echoes of East Asian celestial‑beast traditions transmitted along the Silk Road.
Conclusion
Hongshan Culture → Xia → Shang–Zhou → Japanese Archipelago
This trajectory reveals the Kirin’s evolution from a celestial deity to a later auspicious beast.
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